Note: Background noise and hiss as on original tape. Begins and ends abruptly.
Description: Side A description: Silence [00:00]; Josh White, New York City in the 1940s [00:05]; Meeting with Duke Ellington at the Apollo Theater, learning to perform live [03:45]; Performing at clubs in Brooklyn, conflict with club owner [06:36]; Joining musician's union Local 802 [08:32]; J.B. Long and Blind Boy Fuller No. 2 [13:27]; Turning down offer to perform with the Ray-O-Vacs at the Apollo Theater [14:26]; Brother's career problems, hit song, "Drinkin' wine spo-dee-dee" [17:48]; Reasons for initially not touring Australia, Peter Mann convinces him to tour Australia [28:50]
Side B description: Silence [00:00]; His demands before touring Australia [00:05]; Australia importing labor, "keep Australia white" [00:50]; Touring Australia, changing his perspective of country [01:52]; Touring in Canada and England, Big Bill Broonzy [11:39]; Returns to US, New York Times interview [21:07]; Lawsuit over Duke Ellington's song "House rent party blues" [23:50]; Concerts in Canada [26:06]; California, trip to India and Africa [27:47]
Related Content:
Interview with Brownie McGhee [Tape #001]Interview with Brownie McGhee [Tape #002]Interview with Brownie McGhee [Tape #003]Interview with Brownie McGhee [Tape #004]Interview with Brownie McGhee [Tape #006 & 007]Interview with Brownie McGhee [Tapes #008]Interview with Brownie McGhee [Tapes #010 & 011]Interview with Brownie McGhee [Tape #012]Interview with Brownie McGhee [Tape #017]Interview with Brownie McGhee [Tape #019 & 021]Interview with Brownie McGhee [Tape #022, 023, & 024]Collection Guide:
Brownie McGhee PapersRights: Copyrighted. Rights are owned by the African American Museum & Library at Oakland. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the Copyright Holder. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user.
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